“真”的审美观是王国维“境界”（意境）说的核心审美观念，就作者而言，是 对“情”和“景”的真实感受和真实再现；就作品而言，是对“真景物”和“真感情”的 真实表现。这是澄清向来众说纷坛的“境界”（意境）涵义、并从中发现王国维“化合” 中学西学的契合点的关键，而且，由此能从现代性的视域反思性地考察 ２０世纪中国现代 诗学在其发生阶段的现代性特质。 The aesthetic concept of “truth” is the core aesthetic concept of Wang Guowei’s theory of “realm” (artistic conception). For the author, it is the true feeling and true reproduction of “love” and “scene.” In terms of works, True Scenery “and” True Feelings “. This is to clarify the meaning of the ”realm“ (mood) that has always been called out and find out the key point of Wang Guowei’s meeting point of ”combining" with Western learning in secondary schools. And from this, we can examine introspectively the 20th century China The Modern Characteristics of Modern Poetics in Its Occurrence.