岁末的昆曲舞台,一出大师版《牡丹亭》让北京天桥剧场成为戏曲观众和专家共同关注的热点。两个晚上,每晚近三小时的演出,其掌声的热烈是近年来京城戏曲演出中罕见的,演出已尽,观众不去,令人思绪万千。明代戏剧大师汤显祖的《牡丹亭》,是一部里程碑作品。昆曲《牡丹亭》通过杜丽娘与柳梦梅表达的生可以死,死可复生的至情和浪漫主义精神,穿越了生与死、历史与现实、不同文明 Song stage at the end of the year, a master version of “Peony Pavilion” Beijing Opera House theater to become the audience and experts focus of attention. Two nights, almost three hours per night performances, the enthusiastic applause in the capital in recent years is a rare opera performances, performances have been done, the audience does not go, it is thoughtful. Ming Dynasty drama master Tang Xianzu’s “Peony Pavilion” is a landmark work. Through the life and death, history and reality, and different civilizations, Kunqu Opera “The Peony Pavilion” expresses the true and romantic spirit of life that can be expressed by Du Li-niang and Liu Meng-mei