川剧在解放前大概没有进过北京,反正我没有看过。我是从1952年全国戏曲会演时才第一次看到川剧演出。第一出戏看的就是周企何、阳友鹤演的《秋江》,一下子就被周老扮演的这位善良而又幽默的老艄翁所吸引,他那水上行舟的高精技巧真是惊人。这就给了我第一个印象。我在会演时,曾与李啸仓兄一起编说明书,西南代表团拿来的演员介绍材料是这样介绍周老的: 周企何,成都人。42岁。9岁上箱子,参加过“三庆会”学戏,拜太洪班中的何福源、唐荫甫等为师。家境贫困,幼年失学,后来努力自学,已经能认能写。原习小生,后改文丑。每演一个人物,欢喜钻研人物性格、风度、感情。 Sichuan Opera probably did not get into Beijing before liberation, I have never seen it anyway. I saw the Sichuan Opera performance for the first time since the 1952 National Opera Concert. The first play to see is Zhouqi He, Yang Youhe actress “Qiujiang”, all of a sudden was played by Zhou Lao kind and humorous old man Weng attracted, and his great skill is really amazing . This gave me the first impression. When I was going to perform, I wrote a Ming dynasty with a commander in charge of Lee Xiao, and the introductory material introduced by the delegation from the southwest introduced Zhou Lao: Zhou Qi and Chengdu. 42 years old. 9-year-old box, participated in the “three celebration” drama, thanks to Tai Fook Ho Fuyuan, Tang Yinfu as a teacher. Family poverty, childhood out of school, and later efforts to self-study, has been able to recognize write. Original students, after the change ugly. Each performance of a character, happy study characters, demeanor, feelings.