论文部分内容阅读
山水画开始于魏晋南北朝,但当时只是这样一个“水不容泛”、“人大于山”的小气候。而到了唐代,以写真山真水的水墨山水画开始兴起,并在宋代彻底形成,历史上一些最震人心魄的巨幅宏构产生于这个时期,如李成《万壑松风图》,范宽《溪山行旅图》及董源的《萧湘图》等等,都展现出当时山水画那恢宏的气势和意境。这些成就具体地反映在章法布局、立意表达、笔墨表现等一系列表现山水画的艺术技巧上,特别是各种勾勒、皴擦、渲染等笔墨的语言,呈
Landscape painting began in the Wei, Jin and Northern and Southern Dynasties, but was only such a “water can not be panned”, “people over the mountain” microclimate. However, in the Tang Dynasty, the landscape painting of Shanshui River started to flourish and was completely formed in the Song Dynasty. Some of the most magnificent macro-structures in history came from this period. For example, Li Cheng’s “ The wide ”travel trip“ and Dong Yuan’s ”Xiao Xiang map", etc., all show the magnificent momentum landscape and artistic conception. These achievements are concretely reflected in a series of artistic techniques that express landscape painting, such as the layout of the statute, the deliberate expression, the expression of ink and ink, and especially the various sketches of language such as sketching, rubbing and rendering