中国画历经了百年来中西方文化的冲突、融合,尤其是在改革开放以来现实生活的巨大变化以及对世界文化有了一个全面了解之后,对于中国画要创新这个概念已经非常明确,不再需要进行什么所谓的学术之争。但同步相伴的市场经济让许多中国画家就范于金钱的诱惑,打着所谓恪守传统的招牌抵制创新,其本质已经是醉翁之意不在酒,只是为了获得低俗的掌声和流着油的面包。因此,当今的中国画家如何面对创新,已经超越了认知水平的判断直接进入人格高下的考验。因为,创新者面临着指责、不理解和相对的贫困,获取更多的是一个艺术 Chinese painting has experienced the conflict and integration of Chinese and Western cultures over the past hundred years. Especially after the great changes in real life since the reform and opening up and a thorough understanding of the world culture, the concept of innovation in Chinese painting is very clear and no longer needs to be carried out The so-called academic dispute. However, the simultaneous market economy has forced many Chinese artists to resist the temptation of money. The so-called adherence to the traditional signboards resisted innovation. The essence of this is that they are not drunken, just to get vulgar applause and bread flowing with oil. Therefore, how contemporary Chinese painters face innovation and their judgment beyond the cognitive level has directly entered the test of personality. Because innovators face criticism, lack of understanding and relative poverty, acquiring more is an art