无端地怀疑妻子的不贞,并想方设法去试探,以期获得明证,结果反倒闹了一场无趣。这一类“天下本无事,庸人自扰之”的喜剧人物,生活中和舞台上屡见不鲜。莎翁笔下的《温莎的风流娘们》中的福德,我国传统戏曲《大登殿》的薛平贵,《蝴蝶梦》的庄周,大体上都可以归此系列。古今中外的戏剧家有感于此,用轻松、调侃的笔墨,活画出他们的嘴脸,为后人鉴,使子孙娱,倒也不失为一件乐事。最近,江西赣南采茶戏剧团进京演出,其中一出传统小戏《试妻》,写的也是这方面的内容。所不同的是,剧中的唐二,既没有福德那样显贵,也没有薛平贵那种威风,更没有庄周那顿悟一切的飘逸。他只是一个初通文墨的山野平民、市井小人。然而,在对待妻子的问题上,他除了有福德的多疑,薛平贵的自负、庄周的敏感之外,还有着小市民阶层特有的多情、小聪明和狡黠。小喜剧《试妻》紧紧环绕着人物这一 Undoubtedly, his wife’s infidelity, and find ways to temptations, in order to obtain evidence, the result of a downtown downtown boring. This type of “world no problem, mediocre” comic, life and the stage are not uncommon. Shakespeare’s Faute in The Windshield of Windsor, Xue Pinggui in China’s traditional opera “Da Dengdian” and Zhuang Zhou in “Butterfly Dream” can all generally fall into this series. Ancient and modern theater writers feel this, with easy, ridicule of the pen and ink, live out their faces, for future generations Kam, so that future generations entertainment, it would be a de facto pleasure. Recently, the Jiangxi Jiangxi Tea-picking Drama Theater went to Beijing to perform. One of the traditional small-theater “wife-wives” was also written in this respect. The difference is that the drama of Tang II, neither as expensive as Fude, nor the kind of prestige Xueping Gui, Chuang Zhou that no insight that all the elegant. He is just a mountain pass civilian, marketplace villain. However, on the issue of treating his wife, apart from having the saddles of Fords, Xue Pinggui’s egoism and his sensitivity to Zhuang Zhou, he also possessed the passionate, clever and cunning personality of the civic class. Little comedy “wife” tightly around the characters