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戏曲演出中的时空运转,是一种奇异的过程。前苏联著名电影导演埃森斯坦,发现了戏曲时空“常规而奇特的‘抽象性’”。戏曲演出中时空运转方略,具体有前后台之间的“团团转”、当台“团团转”、当台同一个区域点上的时空运转等样态。此外,当台不同表演者主辅关系点的运转,虚拟表演中表演者与被虚拟环境之间的阴阳交融,不同剧情环境中一件物品的不同标志意义,以及龙套在时空运转中的作用等等,也可列为戏曲时空“常规而奇特的‘抽象性’”的范围。
The performance of opera in time and space is a strange process. Former Soviet Union famous film director Eisenstein, found the opera space “conventional and peculiar ” abstract “. The performance of the opera in time and space strategy, specifically between the front and rear of the ”round and round “, when Taiwan ”round and round “, when the station with a regional point of time and space operation and other forms. In addition, the relationship between the primary and secondary points of performance of different performers in Taiwan, the yin and yang blend between performers and the virtual environment in virtual performances, the different symbolic meanings of an article in different plot environments, and the role of monster in space-time operation And so on, but also can be listed as the drama of ”conventional and peculiar ’abstract’ " range.