从东西方两大文化的比较视点,重新评价关汉卿的历史地位,赏析其剧作的人文内涵、艺术魅力及其所凝聚的中华文化的天人合一精神的底蕴,尤其是关于能与西方戏剧理论接轨的戏剧冲突、戏剧场面、性格冲突等等问题,关于《窦娥冤》等等经典名著的内在结构与思想意义、伦理价值,皆作了新的全面深入的探讨。 From the perspective of the two major cultures of East and West, we reevaluate the historical status of Guan Hanqing and appreciate the connotation of humanistic content, artistic charm and the unity of man and nature embodied in the Chinese culture. In particular, The conflict between the theory and the drama, the scene of the drama, the conflict of personality and so on, and the internal structure, ideological significance and ethical values ​​of the classic of “Dou’e” and other classic classics are all discussed in a new comprehensive and in-depth manner.