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“凡可说的,都可以说清楚”,“凡不可说的,应当沉默”——维特根斯坦生活在沈阳20多年,从八十年代启蒙时期的北方理性群体,到第一家私营美术馆东字画廊,到集体乌托邦式的很快夭折的K 空间,到现已各奔他乡的自由电影,沈阳青年艺术的整体状况依然如我面前的一团迷雾,神秘,充满未知,也许永远也无法将它看清楚。姑且以点带面单枪匹马地介绍三位身处学院系统,却从事非学院派的架上实验艺术的代表。沈阳的艺术实践当然种类众多,这是且听下回分解式的诉说,我试图把我目之所及说得清楚,竟管这种努力也许依旧是徒劳。
“Everywhere we can say, we can make it clear”, “Everyone can not say anything, should be silent.” - Wittgenstein lived in Shenyang for more than two decades. From the rational northern communities of the Enlightenment in the 1980s to the first private art museum East gallery, to the collective utopian k-space soon died, to now have their own free movies, Shenyang, the overall status of youth art is still like the fog before me, mysterious, full of unknown, and perhaps never Will see it clearly. In a nutshell, I will introduce three representatives of the non-academic experimental art in the college system. Of course, there are many kinds of artistic practice in Shenyang. This is a tell-it-all disagreement. I tried to clarify what I said and I thought that such efforts may still be futile.