中国绘画理论体系的确立当在魏晋南北朝时期,之所以在这样一个历史阶段,首先是因为中国绘画实践日趋完善,这在创作上为理论体系的确立提供了前提,同时,在魏晋南北朝时纸的运用得到普及,而中国画意义上的气韵、笔墨正是以纸的使用为前提的,是中国画不可缺少的物质条件。然而在此条件之下绘画的追求取向则与当时的社会生活有着最直接的关系,魏晋南北朝的社会思想是影响中国绘画取向及理论引导的直接因素,这种影响突出地表现在谢赫《古画品录》所提出 The establishment of the theoretical system of Chinese painting in the Wei, Jin and Southern and Northern Dynasties, the reason why in such a historical stage, first of all, because of the growing maturity of Chinese painting practice, which provides the premise for the establishment of the theoretical system, at the same time, The usage of paper has been popularized. The rhyme and ink in the sense of Chinese painting are based on the use of paper. It is an indispensable material condition for Chinese painting. However, the pursuit of painting under this condition has the most direct relationship with the social life at that time. The social thoughts in the Wei, Jin and Northern and Southern Dynasties are the direct factors that influence the direction of Chinese painting and the guidance of the theory. Picture Catalog "made