王永对笔墨痴迷的探索表现为他在创作中注入自我特有的思想和情感,进而追求中国绘画精神之所在。在王永的作品里,在传统的含蓄、柔美的氛围中,始终带有现代的生活情调的影子,这种情调的捕捉,既体现在对画面大势的取舍上,也体现在具体形象的刻画和细节的处理上,从而使其作品独树一帜,远离当今中国画陈陈相因的局面。 Wang Yong’s exploration of pen and ink obsession shows that he injects self-specific thoughts and emotions in his creation, and then pursues the spirit of Chinese painting. In Wang Yong’s works, in the traditional subtle and feminine atmosphere, the shadows of modern life are always brought in. This kind of sentiment is captured not only in the choice and rejection of the general trend of the picture but also in the portrayal of the concrete image And details of the treatment, so that its work is unique, far from the current Chinese painting Chen Xiang-Yin situation.