论文部分内容阅读
在静谧的山村或旷野中,才能重新寻找艺术中的自我,面对宁静却气象万千的大自然,才会觉得个人主观的小我应该融入客观的大我之中。走出画室,迈开双脚,我远行于千山万水之间,领略了大自然无穷的妙境。山东青州是我的家乡。青州人古风犹存,直率而善良,纯朴而热情,与之交往有温暖感和幸福感。青州不仅有古老厚重的文化积淀和诸多的人文景观,而且还有朴茂自然、群山连绵的自然景观。中国古代绘画史上记载的“南范北李”之说的范宽和李成在宋代形成两座山水画的艺术高峰。范宽是华原(今陕西耀县)人;而李成就是生于青州、长于青州并长期以青州西南部山区的
In the quiet mountain village or the wilderness, we can search for the self in the arts again. In the face of tranquility and the ever-changing nature, can we think that the personal subjective individual should be integrated into the objective big man. Out of the studio, step on both feet, I traveled thousands of miles to enjoy a taste of the infinite wonderland of nature. Shandong Qingzhou is my hometown. Qingzhou archaic still exist, straightforward and kind, simple and warm, with a warmth and happiness of contacts. Qingzhou not only ancient heavy cultural heritage and many cultural landscape, but also Pumao natural, rolling hills and natural landscape. In the history of ancient Chinese painting, Fan Kuan and Li Cheng, written in the history of the “Southern Van North Li”, formed the artistic peak of two landscape paintings in Song Dynasty. Fan Kuan is Huayuan (Yao County, Shaanxi Province today) people; and Lee is born in Qingzhou, is longer than Qingzhou and Qingzhou in the southwest long mountain