一、引言20世纪50年代,非裔美国黑人掀起了一场争取平等、自由的“黑色权利”运动。黑人美学的发展因此进入了一个新的阶段。黑人美学是以“黑人性”作为超民族的艺术精神和黑人审美意识。在后现代语境中,随着越来越多的对黑人文学及其相关领域的关注,评论家与作家们意识到这种审美意识并不仅仅局限于种族性,而正进一步指涉人类普遍的生存意义和文化价值。托尼·莫里森对黑人美学的全新诠释为黑人美学 I. INTRODUCTION In the 1950s, Afro-American blacks launched a “black rights” campaign for equality and freedom. Therefore, the development of black aesthetics has entered a new phase. Black aesthetics is based on “black sex ” as the supernatural artistic spirit and black aesthetic consciousness. In the postmodern context, as more and more attention is drawn to black literature and its related fields, critics and writers realize that this aesthetic awareness is not only limited to racialism but is further to the common denominator of humanity Survival and cultural value. Tony Morrison’s new interpretation of black aesthetics is black aesthetics