影片在选材上没有走猎奇路线,而是着眼于现实,以婚姻生活中有关孩子的矛盾为突破口,对现代人脆弱寂寞的情感做了一次细致的梳理。为使故事得到更为真实的呈现,导演没有选用大腕儿级的知名演员,也没有回避家居环境的凌乱冗杂,甚至连台词也不见精心雕琢的痕迹。但正是这一切,让我们看到了人生的诸多无奈与感动。 编剧、导演在故事架构的设置上花了不少心思,既巧妙又不着痕迹——一层楼里住着两户人家,一家因无小孩而闹离婚,另一家因有小孩而要分手。从偏远小镇来到大都市闯荡的乡村音乐教师许耀宾,好不容易要和城里的老姑娘胡小兰结婚了,却被儿子小东的突然出现打乱了计划。许耀宾六年前死了妻子,儿子小东跟姥姥在小镇过,几天 Instead of pursuing the curious course on the material selection, the film focuses on the reality and takes the contradiction of children in marriage as a breakthrough point to make a detailed and detailed review of the fragility and loneliness of the modern people. In order to make the story more realistic, the director did not choose the most famous actress, nor did he avoid the clutter of the home environment. There was even no trace of the carefully crafted lines. But it is all this, let us see a lot of helplessness and touching life. The writer and director spent a lot of time thinking about the structure of the story, both clever and unobtrusive - two families living in one floor, one divorced because of a child, and the other breaking up because of a child. Xu Yaobin, a rural music teacher who came to a cosmopolitan city from a remote town, finally got married to Hu Xiaolan, an old girl in town, but was suddenly disrupted by the sudden appearance of his son Xiaodong. Xu Yaobin died his wife six years ago, his son with her grandmother in small town, a few days