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身为四大文明古国的印度,有着历史悠久的灿烂文明。其中最耀眼夺目的是它的宗教文化,不仅种类丰富多彩还有极高的艺术价值和思想深度,其中的佛教文化更是对亚洲各国都产生了深远的影响。包括中国的佛教文化艺术也深受印度的感染,尤其在佛教初传中国的阶段为中国佛教造像艺术的发展指引道路,引领了中国佛教造像时代的高潮到来。本文主要研究的内容是印度佛教艺术的早期阶段即佛像还没有产生的“无佛像时期”。主要的研究对象是无佛像时期的雕塑,有菩提伽耶(Bodhigaya)大塔围栏、巴尔胡特(Barhut)和桑奇(Sanchi)大塔的塔门及围栏,以及南部阿马拉瓦蒂(Amaravati)大塔的围栏残片的雕塑内容。
As the four ancient civilizations in India, has a long history of brilliant civilization. One of the most dazzling eye-catching is its religious culture, not only rich in variety and high artistic value and depth of thought, of which the Buddhist culture has a profound impact on all Asian countries. Including China’s Buddhist culture and art is also deeply infected by India, especially in the early stages of Buddhism in China to guide the development of Chinese Buddhist statues art, leading the climax of the era of Chinese Buddhist statues. The main content of this paper is the “Buddhaless Period” which is not yet produced in the early stages of the Buddhist art in India. The main object of study is the sculptures of the Buddhaless period, the towers and fences of the Bodhigaya tower, Barhut and Sanchi towers, and the towers of the southern Amaravati Fragment of the fence of the sculpture content.