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《赵氏孤儿》是一部有关血缘的悲剧影片。中国传统的血缘观念分为天然血缘关系和象征性血缘关系两种,当这两种血缘关系所代表的利益发生冲突的时候,天然血缘关系具有优先性。影片的主人公程婴颠倒了这两种血缘关系之间的先后次序,牺牲了自己的儿子(天然血缘关系)来维护赵氏孤儿(象征性血缘关系),这一选择不仅造就了影片的悲剧性,也表征了一个中国式悲剧的典型范式。影片在前、中段试图引入西方的博爱和宽恕等理念以弱化中国传统文化中血脉相连的仇恨观念,但这一意图似乎并没有获得大多数观众的认同,因此影片在结局时段又回归到了传统意义上的复仇路径。这一前后价值的反复不仅造成了影片自身的悲剧,也折射出我国文化在徘徊中前进的现实。269/血缘观念与悲剧
“Orphan” is a tragedy film about blood. The traditional concept of kinship in China is divided into two kinds: natural kinship and symbolic kinship. When the interests represented by the two kinship clashes, natural kinship has priority. The film’s protagonist Cheng Ying reversed the order of the two kinship, sacrificed his son (natural kinship) to maintain the orphan (symbolic blood relationship), this choice not only created the tragedy of the film , But also characterizes a typical paradigm of Chinese tragedy. In the previous and middle stages of the film, the concept of fraternity and forgiveness in the West were tried to weaken the connotation of hatred in traditional Chinese culture. However, this idea did not seem to have been accepted by most viewers. Therefore, the film returned to its traditional significance Revenge path on. The repetition of this value has not only caused the film’s own tragedy, but also reflected the reality that our culture is advancing. 269 / Blood Concepts and Tragedies