中国解放,民族独立,全国人民欢欣鼓舞,民族自信空前高涨,从逻辑上想,民族传统文化的地位自然应随之高升,然而事实相反。大部分国画家在这个新政权到来的历史时刻,既被国家民族的新生所鼓舞,又被阶级斗争的意识形态所震慑,表现得无从措手足。左派艺术家则对国画半个世纪以来的改革 China is liberated and its nation is independent. People of all nationalities in China are cheering and rejoicing. Their confidence in the nation is unprecedentedly high. Logically, the position of the national traditional culture should go up, but the opposite is true. At the historical moment when the new regime came, most Chinese painters were both inspired by the freshmen of the nation and deterred by the ideology of the class struggle. The left-wing artists reform the Chinese painting for half a century