据悉,近一二年来校园戏剧有了较大发展,至少在北京、上海、厂州、成都,都举行了学生演剧的会演,搞得生气勃勃,实在令人欣喜。因为,这是振兴戏剧的重要途径之一。回顾我国近百年来的戏剧运动历史,老一辈戏剧艺术家们,都是在学生时期就迷恋上了戏剧,并有所建树。李健吾、曹禺、舒强、夏淳、刁光覃……举不胜举。记得解放初期,学校剧社很多,很是活跃。其后就越来越沉寂了。文革中小将们只顾冲冲杀杀,多成了戏盲;文革后学习压力过大,也很少有人再顾及此事。戏剧美育,竟无人问津。直到八十年代初,戏剧观众锐减,人们大呼危机之时,一些有识之士才为 It is reported that in the past 12 years, there has been a great development in campus theater. At least, Beijing, Shanghai, Changzhou and Chengdu held performances of students’ plays and made them very active. It is really gratifying. Because, this is an important way to revive the drama. Recalling the drama movement history of our country for nearly one hundred years, the older generation of theater artists are both obsessed with drama and have made their due contribution. Li Jianwu, Cao Yu, Shu Qiang, Xia Chun, Diao Guang Tan ... endless. Remember the early liberation, a lot of school theater, it is very active. After more and more quiet. After the Cultural Revolution, the young and middle-class men only took charge of assassination and killing, and many became drama-blind. After the Cultural Revolution, the study pressure was too great and very few people considered the matter. Theater aesthetic education, actually nobody cares. Until the early eighties, drastic audience drama, people shouted at the crisis, some people of insight