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在1979年初,我国社会主义文艺春天刚刚到来的时节。那时,林彪、“四人帮”宣扬的“文艺黑线专政”等谬论刚刚受到批判,文艺队伍正在重新聚集,文艺创作开始复苏。老年作家擦掉身上的血迹准备再次拿起战斗的笔墨,中年作家抚摸着坎坷遭遇中的伤痕跃跃欲试,青年作家勇敢地探出头来,迈开步子,写出自己勇闯“禁区”的新作。但是,也还有不少的人余悸未消,有种种思想顾虑。在出版社的编辑们当中,就曾经对刘心武的《班主
At the beginning of 1979, China’s socialist literary spring had just arrived. At that time, the absurd arguments such as “the dictatorship of the literary and art lines” preached by Lin Biao and the “gang of four” had just been criticized, the literary and artistic ranks were gathering again, and literary and artistic creations began to recover. Elderly writers wipe blood from their bodies to pick up the fighting ink again. Middle-aged writers stroked their bruises in frustration. Young writers bravely stared out of their steps to write new works that they dared to forbid. . However, there are still many people lingering, all kinds of thoughts and concerns. Among the editors of the publishing house, Liu Xungwu used to be the “master.”