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近年来学术界认为中国古代文学研究或倾向于资料考证和长编，或为社会思潮所左右，其学术品格处于迷失状态。《中国文学的历史与审美》以历史──哲学──文化为基础，以审美评价为指归，深入内部梳理中国文学史的审美发展历程，突出审美性的心灵感受，在“视界融合”中寻求开放性的审美阐释，为文学史的撰写提供了新的思维取向。
In recent years, academia believes that the study of ancient Chinese literature tends to be subject to textual criticism and long compilation, or to social trends, whose academic character is in a lost state. “History and Aesthetics of Chinese Literature” takes the history - philosophy - culture as the foundation and the appreciation of aesthetics as the reference, deeply combs the aesthetic development history of Chinese literary history internally, and highlights the aesthetic feelings of the spiritual experience. In “Horizon Fusion” Seeking an aesthetic interpretation of openness provides a new way of thinking for the writing of literary history.