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随着西方电影和电影理论的涌入,在中西思想文化激烈碰撞下,1979—1987中国电影理论与学术论争风起云涌,异彩纷呈,对电影创作产生了巨大影响。文章从人道主义与“伤痕电影”、“谢晋模式”、“西部片”理论与实践等方面入手,通过对重大理论批评的梳理与勾勒,解析这一时期的电影创作以及电影市场,并探究电影创作所取得的重大成就及其所蕴藏的美学内涵、人文内涵。
With the influx of Western cinema and film theory, with the fierce collision of Chinese and Western ideology and culture, the dramatic and colorful controversy of Chinese film theory and academic discourse from 1979 to 1987 has had a huge impact on the creation of films. The article begins with the theory and practice of Humanitarianism and Scarlet Films, Xie Jin Model and Westerns, analyzes the film creation in this period by combing and sketching major theoretical criticisms and Film market, and explore the major achievements made in the creation of the movie and its implications of aesthetic content, cultural connotation.