传统的音乐课堂提倡建立“一维”审美观,总是在怎样教的“教”字上作文章。人们通常把“一维”审美观称作“无人”审美观,因为它只注重教育者,却忽视了教育对象。新课程、新理念下的音乐课堂提倡建立“三维”审美观,即教学过程中要注重学生的学习思维。在这过程中教师不再只是? The traditional music classroom advocates the establishment of “one-dimensional” aesthetics, and always writes articles on how to teach “teaching”. People usually call the “one-dimensional” aesthetic concept “no one” aesthetic because it only pays attention to the educator but ignores the object of education. The music class under the new curriculum and new concept advocates the establishment of a “three-dimensional” aesthetic, that is, students should pay attention to the learning thinking in the teaching process. In the process, the teacher is no longer just?