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近几年来,在杭州地区发现了数量较多的高丽青瓷残片标本,这些青瓷标本主要有两类品种:翡色(刻花)青瓷和镶嵌(黑白花)青瓷。翡色青瓷之名源自北宋徐竞所著《宣和奉使高丽图经》:“陶器色之青者,丽人谓之翡色。”镶嵌青瓷一名可能是日本学者所取。翡色青瓷釉色清莹透澈,青翠靓丽,釉面柔和光润;胎体细腻工整,胎色呈灰;花纹潇洒秀美,线条刻划流畅,图案丰富多彩;工艺制作异常精美。其突出特点是它釉色青翠靓丽,非常迷人。镶嵌青瓷则完全不同于前者。它独特的镶嵌技法是先在瓷胎上刻出花纹轮廓,再填以黑白两色花纹,经修整上釉后一次烧成。在青绿釉的底色上,黑白相间的花纹图案,产生出既对比强烈又和谐统一的艺术效果。它与已知的中国传统青瓷的风格完全不同,
In recent years, a large number of specimens of Koryo celadon fragments have been found in Hangzhou area. There are mainly two types of celadon specimens: celadon celadon and inlaid (black and white porcelain) celadon. The name of the celadon of the celestial celadon originates from Xu Jing’s book Xuan He Feng of Korea by the Northern Song Dynasty: “The celadon of the pottery color is the color of the celestial being of the beauty of the people.” One of the celadon masks may be taken by a Japanese scholar. Emerald celadon glaze Qing Ying transparent clear, beautiful green, smooth glaze smooth; carcass delicate neat, gray color; pattern chic beautiful, smooth lines engraved, colorful patterns; exceptionally beautiful production process. Its prominent feature is its beautiful green glaze, very charming. Inlaid celadon is completely different from the former. Its unique mosaic technique is the first engraved on the porcelain pattern pattern outline, and then filled with black and white patterns, the glaze after finishing a firing. In the background of green glaze, black and white patterns, resulting in a strong contrast and harmony of the artistic effect. It is completely different from the traditional Chinese celadon style,