论文部分内容阅读
“缺失(幻影)”与“我”——作为主题的“缺失”现今,整个世界似乎都被淹没在了一种所谓的“影像文化”当中,而这种文化实际上是一种“影子文化”。也就是说,这种文化并非实体,而是一种“被描绘出的、以图象的形式提取出的、以照片的形式被复制的、投映到电视或者电影屏幕上的、可以被视觉感知的形态或是形态与动作的结合体”(朴明镇《意象文化与时代的争论焦点》,第38~39页)。归根结底,被提取、被复制、被投映的形态或动作,难道不正是某种实体的影子么?很多人都将当代文化的特征定义为影像文化,这么
“Missing (Phantom)” and “Me” - “Missing” as the Theme Nowadays, the entire world seems to be submerged in a so-called “culture of images” Is actually a kind of “shadow culture”. That is to say, this culture is not an entity, but a “painted” image, extracted in the form of a picture, copied in the form of a photo, and projected onto a television or movie screen, which can be visualized Perceived form or a combination of form and motion “(Park Myung-bak,” The Focus of Image Culture and Times ", pp. 38-39). In the final analysis, is it not exactly the shadow of a certain entity that is extracted, duplicated or projected? Many people define the characteristics of contemporary culture as image culture.