从《人再囧途之泰囧》、《西游·降魔篇》到《北京遇上西雅图》,一系列影片的热映在一个相对狭窄的层面上反映了较为宽泛的中国观众的心理需求,类型发展的集中要素应在精神层面的轻松审美体验上。本文通过对《人再囧途之泰囧》以及2013年第一季度上映的几部影片的分析,展开论述中国电影创作发展的思路需要微妙转变的关键点。 A series of films’ reflections on a relatively narrow level reflect the psychological needs of a broader Chinese audience, ranging from “people embarrassed”, “Journey to the West” and “Beijing meets Seattle.” The concentrated elements of development should be on the spiritual level of aesthetic experience. This article analyzes the key points of the subtle changes that need to be made in the discussion of the ideas of Chinese film creation and development through the analysis of the “people who embarrassed themselves” and the first films released in the first quarter of 2013.