徐累绘画中的中与西、古与今、色与空、内与外、上与下、轻与重、屏风与地图、青花与马匹,也依然能够提供给观者足够的文学想象空间,当然这些空间里不乏诗意、剧情甚至历史。视觉是一个线索,工笔是一座叙事的桥梁,通过这些,我们可以了解到,徐累融合传统美学与当代意识所建立起来的个人图谱。 Xu tired paintings in the West and the ancient and modern, color and space, inside and outside, up and down, light and heavy, screen and map, blue and white horses and horses, but also still able to provide the viewer enough literary imagination, Of course, there is no shortage of poetry in these spaces, the story or even history. Visual is a clue. Meticulous writing is a bridge of narration. Through these we can understand that Xu tired integrates the personal map established by traditional aesthetics and contemporary consciousness.