尽管“纯诗”作为一种诗歌理想一直是诗人所难以企及的,而且,由于文化传统、中外文化的差异,“纯诗”理论在进入中国之后就势必要发生一定的变化。但是,必须承认的是,现代诗人对“纯诗化写作”的追求还是为中国新诗艺术的不断精进与提升做出了重要的贡献。因而,梳理“纯诗化写作”在中国的介入、生成、本土化以及其显隐的发展过程,不但可以揭示20世纪中国新诗发展中存在的一些问题,同时,也肯定会为反思新诗的历史以及新诗的未来发展提供一定的依据。 Although pure poetry as a poetic ideal has always been beyond the reach of poets, and because of the differences in cultural traditions and between Chinese and foreign cultures, Pure Poetry is bound to undergo some changes after it enters China. However, it must be admitted that the pursuit of “pure poetic writing” by modern poets is still an important contribution to the continuous improvement and enhancement of the art of Chinese new poetry. Therefore, combing the development process of “purely poetic writing” in China involves not only the problems in the development of Chinese new poetry in the 20th century, but also the reflection of the history of new poetry As well as the future development of new poetry to provide some basis.