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“即使是个坏人,我都尽量去挖掘他内心善良的一面。我不是刻意去表现中国人好的方面,全世界的人在我的观念里都一样,都是有人性、有善良的一面” 张杨,从处女作令他声名鹊起的《爱情麻辣烫》,再到《洗澡》《昨天》《向日葵》“父子”三部曲,乃至黑色喜剧《落叶归根》,他的作品总是通过草根人物的平凡生活给人们带来不平凡的精神冲击。他的电影有着静谧的基调和贴切的表达,其暗藏的思维光芒,不经意间在观众心里的某个地方,撞击了一下。
“Even if it is a bad person, I try my best to dig out the good side of his heart.I do not mean to show the good aspects of Chinese people all over the world are the same in my concept, there are humanity, there is a good side ”Zhang Yang, from the maiden made his fame“ love Mala Tang ”, and then“ bath ”“ Yesterday ”“ Sunflower ”“ Father and Son ”trilogy, and even the black comedy“ roots ”, his works are always through grassroots The ordinary life of people bring extraordinary spiritual impact to people. His film has a quiet tone and apt expression, its hidden thinking light, inadvertently hit somewhere in the audience’s heart.