本文从内蒙古民族音乐高校教育十年前后的变化入手,以《内蒙古民族音乐典藏—大师系列》为切片,分析呈现近十年来内蒙古民族音乐界的现代民族音乐学的转向问题,从而窥探一个学科、一套研究方法、一种学术视野对青年学者的重塑及其重塑后带给地方区域民族音乐学或非物质文化遗产保护的影响与作用。 Starting from the change of Inner Mongolia national music college ten years ago, this article analyzes the transition of modern national musicology of Inner Mongolia national music in the past ten years by taking “Inner Mongolia National Music Collection - Master Series” as a slice, A set of research methods, the influence and function of a scholarly vision on the remodeling of young scholars and their protection afforded to ethnic musicology or intangible cultural heritage in local regions after their reshaping.