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来源:中国嘉德2014年秋拍编号:1340成交价:1840万元20世纪50年代中期至60年代中期是潘天寿整个艺术生涯最为辉煌的时期,作于1964年的《雨后江山铁铸成》即为其此一时期重量级创作之一。构图上,本幅取一水隔两山的布局,其经典的图式是由元人倪攒创设。潘天寿沿用了这种图式,但又略变倪法。具体到本幅,寿公对中段水纹并不做勾描,而以舟艇衔接上下关系,又用极具金石气的横排题跋来使画面接气。此外,潘天寿不爱用皴法,在这种两山隔水式构图中,他将皴法减到了极致,而以墨、色写山之质,并以留
Source: China Guardian’s Autumn Auction 2014 No .: 1340 Price: RMB18.4 million From the mid-1950s to the mid-1960s, Pan Tianshou was the most glorious period of his artistic career. In 1964, For one of the heavyweight creation of this period. Composition on the map to take a water two mountains layout, the classic schema is created by the yuan Ni Zan. Pan Tianshou used this scheme, but slightly changed Ni method. Specific to this version, Shou Gong on the middle of the watermarks do not do hook strokes, but to connect the boat up and down the relationship, but also with a great stone gas column heading to make the picture pick up. In addition, Pan Tianshou do not like to use the law, in this two-mountain waterproof composition, he will be reduced to the limit, and ink, color to write the quality of the mountain, and to stay