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在中国剧协等四单位联合召开的贵州省民族民间傩戏面具展览学术讨论会上,我收到一份礼品:《傩戏论文选》。它不但装帧精美,而且具有一定的学术价值,是我国有史以来探讨傩戏的第一个公开发行的论文集。集中收有25位同志撰写的16篇专论,并有曲六乙同志作的“序”和论文《建立傩戏引言》。他在此文中提出“建立中国傩戏学”的主张以及把它视为新的边缘学科的论点是有见地的。书中囊括了贵州各民族、各地区傩礼、傩舞、傩戏的面具、音乐、表演,以及“三元和会”、傩堂戏、地戏、傩坛戏、彝族的“撮衬姐”(即“撮泰吉”)的研究和贵州傩文化源流、演变等各方面的论述。文章考据力求详尽,文风朴实严谨,论述各有千秋,是一部研究傩戏开拓性的专题文集古代的傩礼、傩舞、傩戏、其原始萌芽,实源起于远古先民的创造。作为戏剧源渊来说,它比“优孟衣冠”不知要早多
At the Symposium of Ethnic Folk Opera Mask Exhibition in Guizhou Province jointly held by four Chinese dramatists such as the Chinese Opera Association, I received a gift: “Essay Essay Selection”. It is not only beautifully framed, but also has certain academic value. It is the first collection of essays in the history of Nuo opera in China. There are 16 monographs written by 25 comrades, including the “Preface” made by Comrade Liu Liuyi and the essay “Introduction to Nuo Opera.” In his article, he put forward the proposition of “establishing the Chinese opera theory” and his argument that it is regarded as a new fringe discipline. The book includes masks, music and performances from various ethnic groups in Guizhou, various ceremonial ceremonial ceremonies, ceremonial dance and folk opera in various regions of Guizhou, as well as “Three Yuan Meeting,” “ ”(That is,“ summarized Taiji ”) research and the origins of Guizhou Ying culture, evolution and other aspects of the discourse. The article examines the detail, the writing style is simple and rigorous, the discussion has its advantages and disadvantages, is a research essay pioneering the essay collection of ancient ceremony, dance, opera, its original bud, its origin in the creation of ancient ancestors. As a source of drama, it is better than “gifted Meng and Meng Yi” do not know much earlier