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在世界文化日益趋同的今天,中国境内绝大多数二三线城市呈现出无鲜明地域文化特点的“城市文化之大同”现象。造成这一现象的其重要因素乃是未把根植于本土文化的最具代表性的文化因子真正移植到城市建设与景观规划的中,因此,也就没有创造出城市的地域文化性,其最终弊端是不仅不利于城市的地域文化彰显,而且在也不利于对本土地域文化的保护与传承。本文以贵州牙舟土陶为例,试从陶瓷艺术学和环境艺术学的角度理论探讨其在环境艺术设计适用领域中的拓展,实现对其地域文化的保护传承和发展。
Today, when the world culture is getting more and more similar, the vast majority of second and third tier cities in China present the phenomenon of “great city culture” without distinctive regional cultural features. The important factor that caused this phenomenon is that the most representative cultural factors rooted in the local culture are not truly transplanted to urban construction and landscape planning, Drawbacks are not only unfavorable to the city’s regional culture, but also not conducive to the protection and inheritance of local culture. Taking Guizhou Tuba terracotta as an example, this paper attempts to explore its application in the field of environmental art design from the perspective of ceramic art and environmental art to realize the protection and inheritance and development of its regional culture.