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历史经验证明,文化艺术的繁荣发展,无不与时代的政治、经济和社会诸多环境有着密不可分的关系,就整个清朝文化艺术中的绘画来说,更是这样。从清初的顺治年间,一直到嘉庆,这一时期政治巩固、经济发展、社会安定,故这一时间段的绘画业,也一直处于繁茂、昌盛的景象,尤其“康乾盛世”期间,绘画业的发展最盛。画坛人才辈出,突出的如“四王”、“四僧”、“金陵八家”、“新安画派”、
Historical experience proves that the prosperity and development of culture and art are inextricably linked with the political, economic and social environments of the time. This is especially true of the paintings in the culture and art of the Qing Dynasty as a whole. From the Shunzhi period in early Qing Dynasty to Jiaqing and the political consolidation, economic development and social stability during this period, the painting industry during this period has also been in a flourishing and prosperous scene. In particular, The painting industry’s most flourishing. Painting circles talent, prominent, such as “four kings ”, “four monks ”, “Jinling eight ”, “Xin’an painting school ”,