清末民初,在中西文化激烈碰撞、各种新的艺术思潮不断涌现、传统文人画四面楚歌之时,溥心畲依然我行我素,以不变应万变;对待束缚中国绘画300年之久的“南北宗”论,他又能不为所囿,融汇南北,左右逢源,开创出文人画的新气象,由此奠定了他在中国现代美术史上不可无一、难以有二的特殊地位。 At the end of the Qing Dynasty and the beginning of the Republic of China, with the fierce collision of Chinese and Western cultures and the emergence of new artistic trends of thought, Pu Xin She still performed his own way in the midst of a bewildering legacy of traditional literati painting, North and South Zong "theory, he could create a new atmosphere of the literati painting instead of paying homage to the North and the South, combining both sources. This laid him a unique position that is indispensable in the history of Chinese modern art.