我看《美术观察》已经形成了这样一个习惯,拿起来先看这期“热点”是什么,“批评”里面是什么。回顾《美术观察》,印象最深的是关于“笔墨等于零”的大讨论,参与讨论的人那么多,方方面面对笔墨问题可算讨论个透。吴冠中强调大家不要脱离他的原文原意来理解“笔墨等于零”;郎绍君分两期刊出的长长的《笔墨问题答客问》,就对原句进行了细致的剖析,看着真过瘾。显 I think the “art observation” has formed a habit, take a look at this issue “hot spot ” is what, “criticism ” which is what. Recalling the “art observation”, the deepest impression is on the “pen and ink equal to zero ” big discussion, so many people involved in the discussion, all aspects of the pen and ink can be considered a thorough discussion. Wu Guanzhong emphasized that we should not understand that “the pen and ink are equal to zero” from his original original intention; and that the long “question and answer” written by Lang Shaojun in two separate issues makes a detailed analysis of the original sentence and is really enjoyable. Significantly