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圆霖法师生前以艺传法,传世书画以万计。虽然圆霖法师的书画涉及人物、山水、花鸟、书法等,但佛门人物画占据主流。而在佛门人物画之中,净土世界即以西方阿弥陀体系为核心题材。书画题材如此的取舍,原因在于圆霖法师的净土门人身份。圆霖法师进入佛门之始,是1947年在上海大南门灵山寺听了愿法师说法,听了愿法师说《金刚经》“应无所住而生其心”一语启迪,顿悟一世尘缘,萌生岀家修行之念。后入南京市江浦县狮子岭兜率寺投体义法师剃度为僧,法名圆霖。1948年,礼了成和尚受具足戒,主修净土。如
Master Yuan Lin was born in Yi Chuan Fa, handed down thousands of paintings and calligraphy. Although the painting and calligraphy of Master Yuan Lin involves characters, landscapes, flowers and birds, calligraphy and so on, Buddhism portraiture prevails. In Buddhism figure painting, the Pure Land world is the Amitabha Western system as the core theme. The theme of painting and calligraphy such a trade-off, because Yuanyuan Master’s Pure Landman identity. Master Yuan Lin entered the beginning of Buddhism, was heard in 1947 in the Great South Gate of Lingshan Temple, the Master said, willing to Master Master said that “Diamond Sutra” “should live without heart to live” his inspiration, epiphany World fate, initiation 岀 home practice concept. After entering Nanjing Jiangpu County Lion Ridge Tusita Temple voted to justice Master Dharma Sutra, Dharma name Yuan Lin. In 1948, Rites into a monk by a disciplinary, majoring in pure land. Such as