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《少年与蜜蜂》是胡戈·沃尔夫成名作《缪利克歌曲集》中的一首,是他的创作走向成熟阶段的标志,同时也是晚期浪漫主义德奥艺术歌曲的重要作品。《少年与蜜蜂》具有典型的德奥艺术歌曲特点:以歌词内容引导音乐发展,以艺术歌曲常见的二部曲式为基础,人声旋律与钢琴相互独立且相互依存;调性特点上,调性的使用更加自由,向下属和中音方向扩张,同时运用调性对比来烘托内容和塑造人物的形象;在和声语言上,强弱拍上的和弦分布、和声密度以及各种非自然音和弦使用与曲式结构紧密相关,而且使用不同的根音进行来达到不同表现效果,同时人声与钢琴声部的终止错位,具有重奏的性质。本文将通过《少年与蜜蜂》这个作品,从上述几个方面的综述,来管窥沃尔夫的艺术歌曲的创作特征以及了解晚期浪漫主义的和声特点。
“Juvenile and Bee” is one of Hugo Wolf’s famous works “Miao Li Ke Song Book,” a symbol of his creation to mature stage, but also an important piece of works of late Romanticism and Austrian art. Teenagers and Bees have typical characteristics of Austrian Austrian songs: Guided by the content of the lyrics, the development of music is based on the common two-part music of the art songs. The vocal melody and the piano are independent and interdependent. Sexual use is more free to expand to the direction of subordinates and the alto, at the same time the use of tonality contrast to foil the content and shape the image of the character; in the harmony language, strength and weakness on the chord distribution, harmony density and a variety of unnatural The use of chords and tone structure is closely related to the song, and use different root tones to achieve different performance results, while the vocal and piano parts of the termination of dislocation, with the nature of the song. In this essay, I will summarize the above-mentioned several aspects through the works of Juvenile and Bees and give an overview of Wolff’s artistic characteristics of songs and the harmony features of late romanticism.