荣格说,现代人是敢到世界边缘漫步的人。探索是现代人的本能。我想套用他的话说,现代戏剧是敢到世界的边缘去跋涉的戏剧。探索是现代戏剧的本能。有人说,实验戏剧已经形成新的模式,穷途末路了。这话说得有点过早,过于武断。其实,实验戏剧正年轻,正生机勃勃。你们不过是玩玩形式。不错,形式是要玩的,不但要玩,而且要玩得高明,玩得赏心悦目。陈顒说,我们的戏剧太不讲究形式了,一针见血!林兆华说:“若大的中国,话剧只能继承一种传统、一种形式,那将出现戏剧的灾难!”痛心疾首!不必隐讳,实验戏剧就是从玩形式开始的。任何革新都是拿陈旧开刀的。一些理论家责备实验戏剧“形式大于内容”。其实戏剧的形式和内容,在我看来同等重要。谁能分清“人”的形式和“人”的内容孰轻孰重? Jung said that modern people dare to wander the edge of the world. Exploration is the instinct of modern people. I would like to put it in his words that modern drama is a drama that dares to travel to the edge of the world. Exploration is the instinct of modern drama. Some people say that the experimental drama has formed a new model, the end of the dead. To put it a bit too early, too arbitrary. In fact, the experimental drama is young, is full of vigor. You are just playing forms. Not bad, the form is to play, not only to play, but also to play smart, fun to play. Chen Qiong said that our drama is too unspeakable and sharply punctual! Lin Zhaohua said: “If the great China, drama can only inherit a tradition, a form, there will be drama disaster!” Heartbreak! Needless to say, experiments Drama begins with play. Any innovation is to take the old surgery. Some theorists blame experimental drama “more than content.” In fact, the form and content of drama are equally important to me. Who can tell the difference between “human” form and “human” content?