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在中国电影发展的路途中,需要协调现代性视野和本土传统特色把持,而关注自身艺术风格的承传和发扬有助于二者的结合。东方艺术精神的抒情性、情景交融性、教化传统性、造型写意性等构建出中国电影本土艺术的风格走向。沉静中的思接四载、讲求意境;沉静中的咀嚼苦难、哀而不伤;沉静中的隐忍爆发,张弛有致;朴直纯真的表现形态和简约的线性延展等等,如何在现代背景中扬弃修正,是需要我们思考的问题。本文对于中国电影风格变化主要几个时期做了数理分析,包括早期交织的道德教化表现与悲情抒发特色;中期呈现的浪漫构造与现实描摹风尚;后期突显的芜杂影像与多元游移状况;新世纪以后中国电影的风格寻求等。
In the course of the development of Chinese film, we need to coordinate the vision of modernity and the traditional local characteristics, while focusing on the inheritance and development of our own artistic style helps to combine the two. Oriental artistic spirit of the lyrical nature of the scene, the traditional nature of education, modeling freehand to build the Chinese film local art style. Quiet thinking in the context of four contained, stress mood; Quiet in the chewing misery, sad without injury; quiet in the outbreak of tolerance, relaxation caused by simple innocent forms and simple linear extension, etc., how in the modern context To abandon the amendment is a question that needs our consideration. In this paper, we make a mathematical analysis of the main changes in the style of Chinese cinema, including the early interweaving of moral education and tragedy expressing characteristics; the mid-term romanticism and reality depicting the fashion; the later highlights of the mixed images and pluralistic migration; The style of Chinese movies seeks to wait.