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前年,一位张家口文友问我:余老师,我怎么从没听你谈过李泽厚先生?望着这位70后作家,我一时结舌。后来,只好坦诚相告,因为我早年读朱光潜的《悲剧心理学》,后来又读黑格尔、柯罗齐、巴塔耶等,李先生的书我没读过。我的美学理念是从朱光潜先生《悲剧心理学》起步的。至今我还记得他“绪论”里波斯王泽克西斯跟他叔叔关于“人生短暂和人生苦难”的对话,和那“悲剧向来被认为是最高的文学形式,取得杰出成就的悲剧作家是人间最伟大的天才”的话。尤其让我终生受益的,是朱老的美学论文集仅用几页纸就让我彻底弄懂弗洛依德。
Two years ago, a friend from Zhangjiakou asked me: Teacher Yu, how have I never heard of you talking about Mr. Li Zehou? Later, I had to candidly tell myself because I had read Zhu Guangqian’s tragedy psychology in my early years and later read Hegel, Corot and Bataille. I did not read Mr. Li’s book. My aesthetics idea started from Mr. Zhu Guangqian’s “tragedy psychology”. So far I still remember the dialogue between Wang Zexi in Persia and his uncle about “the short life and the suffering of human beings” and the tragedy of achieving outstanding achievements in literary forms that tragedy has always been considered to be the highest Writer is the greatest genius in the world ". In particular, let me benefit for life, Zhu aesthetics essay with just a few pages of paper let me thoroughly understand Freud.