诗人,诗意情怀,诗意栖居:诗人是写诗的人。对诗人来讲,写诗是抒发其诗意情怀,并达到诗意栖居的一种方式。然而有诗意情怀者未必是诗人,他还可以是智者、哲学家。诗人也未必都有诗意情怀,但诗意情怀仍以诗人为最。欲诗意栖居者必先有诗意情怀,欲得诗意情怀者必先保持不泯的童心,欲保持不泯的童心必先得世界大同,而大同不常有,故诗人注定困苦一生,除非放弃操持,舍出世为入世,乞食苟活于流俗间。诗意情怀者亲近大自然,思虑单纯,重精神轻物质,因而和社会进步是相逆的。社会越发达,人类越容易被物化并失去自我,生存空间和想象空间被无限挤压,诗意情怀蜕变沉沦。精神领域的危机,科技进步的双刃剑效应,让诗意栖居不再现实。自由体诗脱了旧镣铐,落了新窠臼,门槛降低,与散文的界限变得模糊,美感丧失。诗歌传统功能被置换,写作大众化,传统诗歌挑战,诗人就此走下神坛。现代诗正在经受的困境前所未有。 Poet, poetic sentiment, poetic dwelling: poet is the poet. For the poet, writing poetry is a way of expressing his poetic feelings and achieving the poetic dwelling. However, poets may not be poets, he can also be a wise man, philosopher. Poets may not all have poetic feelings, but poetic feelings are still the most poet. Poetic dwelling place must first have the poetic sentiment, the poetic sentiment must first maintain the innocence of the innocent, in order to maintain the imprudent innocence, the world must first have a common ground in the world, and Datong is uncommon, so the poet is doomed to a hard life, unless given up Holding, leaving the world for the WTO, begging for living in the vulgar room. Poetic compassionate people close to nature, thinking simple, heavy spiritual light material, and thus social progress is contrary. The more developed society is, the easier it is for human beings to materialize themselves and lose themselves. The space for living and imagination are infinitely squeezed, and their poetic feelings degenerate and sink. The crisis in the spiritual field and the double-edged sword effect of scientific and technological progress make the poetic dwelling no longer realistic. Liberal poetry took off the old shackles and fell into new customary ways. The threshold was lowered, and the boundary between prose and prose became blurred, losing beauty. The traditional functions of poetry were replaced, the writing of popular, traditional poetry challenges, the poet went down the altar. Modern poetry is experiencing the predicament unprecedented.