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影像的产生,使我们增添了反应现实社会、表达思想情感的手段,艺术家们用自己独特的方式纪录着社会环境的现状和变迁。赵亮导演的作品《悲兮,魔兽》用冷静的画面语言,揭示出社会建设与人类生存的种种矛盾,这些矛盾在具体创作中呈现出多方面的辩证对比。首先,影片通过动与静的对比形成全片的节奏和结构,传达出作者旨在表达的观点,引发观众对于影片内容的思考;其次,影片中虚与实的对比,不仅体现在实在的拍摄对象与虚幻的思想情感之间的关系,同时体现在时空逻辑与事理逻辑的虚实交错之中;再次,影片中的画面表现无不渗透着主观与客观的对比,其中具体表现在对环境的关注、对人的关注以及对价值的引领等方面;最后,影片整体传达了一种绝望与希望的碰撞,通过这样的表达,使全片黯淡的基调中增添了一抹独特的光亮。
The emergence of images has enabled us to add a means to reflect the real world and express our emotions. Artists use their own unique ways to record the current situation and changes in the social environment. Zhao Liang’s work “Sad Comedy, World of Warcraft” with a calm picture language, reveals the social construction and all kinds of human conflicts, these contradictions in the specific creation of a wide range of dialectical contrast. First of all, the film forms a full-scale rhythm and structure through the contrast between static and dynamic, and conveys the viewpoint that the author intends to express, which leads the audience to think about the content of the film. Secondly, the contrast between virtuality and reality in the film is not only reflected in the actual shooting The relationship between objects and unreal thoughts and emotions is embodied in the confusion between the logic of time and space and the logic of affairs. Thirdly, the performance of the pictures in the film infiltrates the contrast between the subjective and the objective. The concrete manifestation is the concern for the environment, People’s attention and the value of the lead and so on; Finally, the film as a whole conveyed a collision of despair and hope, through this expression, the whole tone of the dim tone to add a touch of unique light.