对影视作品中出现的旧上海题材一窝蜂,不妨看作是自然生成的“季候风”,莫以为怪。文艺创作上的阵风现象,并非今日始,也难说是中国的“土特产”,每回时起时落,均事出有因,查无实据。创作者不约而同,狭路相逢,摩肩接踵,自有一番苦衷。好在中国的观众特有耐性。前些年,清宫戏比得上十二级飓风,数不尽的“末代皇帝”、“慈禧太后”,频频出镜,轮番上场。观众竟也硬撑着看过来了。这 It is not surprising that the old Shanghai theme swirling around in film and television works may be regarded as a naturally occurring “monsoon”. Rafale phenomenon in literary and artistic creation is not the beginning of today. It is hard to say that it is China’s “native product.” Coincidentally, the creators coincide, meet each other, their own difficulties. Fortunately, the Chinese audience is patient. A few years ago, Qing Dynasty opera comparable to twelve hurricanes, countless “the last emperor”, “Empress Dowager Cixi”, frequently appearance, turn round play. The audience actually hard to see it. This