在已经能看到中华民族各方面事业不断走向复兴与繁荣的今天,要求中国画合乎其自身文化规律的发展,也是必然的趋势。对于这一点,我们结合前瞻与回顾,既考察老一辈艺术家的成就,也关注不断涌现并走向成熟的后生们的努力,这是本栏目的职责,更是关心民族艺术健康发展所需要的工作。[时代人物]谢稚柳、[本期名家]吴上炜以及[学院作品]介绍的新锐画家们,在不同的时代背景和文化环境下,虽然取径有所不同,但他们都力图在重视文化规律的前提下,通过自己的创造性实践为中国画的发展贡献着一己之力。文化艺术的发展除了需要人这一因素的积极主动性之外,还同样需要我们合理地使用和充分地保护各种类型的文化资源,而这方面我们今天做得还很不够。在[现象]栏目里,我们对此再做进一步的观察。 Now that we can see that all undertakings of the Chinese nation are constantly rejuvenating and prospering, it is also an inevitable trend to demand that Chinese painting conform to the development of its own culture. In this regard, we combine the forward-looking and retrospective study of the achievements of the older generation of artists as well as the efforts that continue to emerge and reach mature generations of descendants. This is the responsibility of this column and the work required for the healthy development of ethnic arts . [Times People] Xie Zhi Liu, [Current Famous] Wu Shangwei and [Academics] introduced cutting-edge painters in different time backgrounds and cultural environments, although the approach is different, but they are trying to attach importance to cultural prerequisites Under his own creative practice for the development of Chinese painting contribute to their own power. In addition to the proactiveness of the need for human being, the development of culture and art also requires that we properly use and adequately protect various types of cultural resources, and we are not doing enough today. In the “Phenomenon” section, let’s take a closer look at this.