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造园或造物实为自我塑造或人格建构,这其实是中国古典园林在当时存在状态下人与园关系中的本质和精华。就创作方式和手法而言,作品中采取了“就地取材”的主动错置和误读的方式,它源于生态学中生物适应环境的规律。在意义的层面上,作品一方面在于对“和为贵”的中国文化传统以及对“和谐”的社会现实的追问,真正的“和”的观念和智慧是“和而不同”;另一方面在于对当下环境问题包括其中的人格和精神状态的关注。
Gardening or creation is actually self-molding or personality construction, which is actually the essence and essence of the relationship between people and the garden under the existing state of classical Chinese gardens. As far as the mode of creation and technique are concerned, the way of taking the initiative to misplace and misread the idea of “taking the place on the spot” has been adopted in the works. It originated from the rule that the organism should adapt to the environment in ecology. On the level of significance, on the one hand, the work consists of questioning the Chinese cultural tradition of “harmony” and the social reality of “harmony”, and the true concept and wisdom of “harmony” are Different "and on the other hand concerns the current environmental issues, including their personality and mental state.