现代文阅读是高考语文的重头戏,多年来题型、题目的难度系数和分值一直比较稳定。随着高考形势的发展和新课程标准的实施, 纵观2005年全国及各省市高考 16套试卷,这一板块也有了一些可喜的变化。总的来说变化表现在七个方面。一是文体数量的变化。如天津卷社科文、科技文和文学作品各出了一篇,分值达到了36分。二是文学作品鉴赏大多取材于中国当代作家的文章。如苏叔阳的《春天的梦》,卞毓方的《张家界》,史铁生的《合欢树》,肖铁的《壶口的黄河》,韩少功的《阳台上的遗憾》和《土地》,周国平的《波兹曼的诅咒》,李汉荣的《越来越接近精神的天空》,冯骥才的《日历》,何为的《贝多芬:一个巨人》等。三是 Modern reading is the highlight of the Chinese language in the college entrance examination. Over the years, the degree of difficulty and score of questions and titles have been relatively stable. With the development of the college entrance examination situation and the implementation of new curriculum standards, taking a look at the examination papers of the national college entrance examination and the provincial colleges and universities in 2005, there have been some encouraging changes in this section. In general, the changes are manifested in seven areas. The first is the change in the number of styles. For example, Tianjin Science and Technology Co., Ltd. has published one article in each of its scientific, scientific and literary works, with a score of 36 points. The second is that literary works are mostly based on articles written by Chinese contemporary writers. Such as Su Shuyang’s “Spring Dream”, Sui Fang’s “Zhangjiajie”, Shi Tiesheng’s “Acacia Tree”, Xiao Tie’s “Hukou of the Yellow River”, Han Shaogong’s “Private on the Balcony” and “Land”, Zhou Guoping’s “Poz” Man’s Curse, Li Hanrong’s “The sky is getting closer to the spirit,” Feng Xiaocai’s “Calendar”, what is “Beethoven: A Giant” and so on. The third is