随着《囚歌》、《拥抱明天》、《悔恨的泪》等盒式磁带的发行,相当一批类似内容的磁带歌曲风行一时,迅速形成一股浪潮。现在,这股热浪虽已渐渐过去,但这种文化现象却值得深思。很久以前,我国就存在一种特殊的音乐亚文化现象,即地下性的歌曲创作。这种创作形成为某一特定亚文化群的音乐文化。六十年代前后,我国产生了一个特殊的社会群体——盲流。这些人多为内地流浪至西北地区的农民,他们生活动荡不定,成分复杂,其特殊的生活产生了特定的文化形态,也产生了特定的音乐文化。《七十五天》这首经《美丽的哈瓦那》变化而成的歌曲即是一首历史悠久传唱至今的 With the release of cassette tapes such as “Prisoners Songs,” “Hugging Tomorrow,” and “Tears of Remorse,” quite a number of tape songs of similar content quickly emerged as a tide of waves. Now, this heat wave has gradually passed, but this cultural phenomenon is worth pondering. Long ago, there was a special phenomenon of sub-culture of music in our country, that is, creation of underground songs. This creation forms a musical culture of a particular subculture. Around the 1960s, our country produced a special social group - blind flow. Most of these people are peasants who have strayed to the northwest of the Mainland. They live in turbulent times and have complicated compositions. Their particular lives have given rise to specific cultural forms and also have produced specific musical cultures. The song “Seventy-Five Days”, made through the change of “Beautiful Havana”, is a song sung to date