为了借由戏剧更好地表达自己的感悟、立场、态度,当代剧场创作者们不断尝试对戏剧进行内部改造和外部延伸,试图让戏剧变得越来越“会说话”。在这种情况下,排演单一完整的故事似乎不再能满足创作者进行表达的需要,也难以满足观众寻求新意、深意的需要。因此,将完整的故事打散之后进行改造重组,或摘取一个或多个文本内容加以诠释和拓展渐渐成为一种趋势。 In order to better express their own sentiments, positions and attitudes through theater, contemporary theater creators are constantly trying to internalize and extend the play in an attempt to make the play more and more “talkative.” In this case, the rehearsal of a single complete story seems no longer able to meet the needs of creators to express, but also difficult to meet the audience to seek new ideas, deep-seated needs. Therefore, it is becoming a trend that the whole story should be remolded and reorganized after it is broken up, or one or more texts should be extracted and expanded.