庞飞山水画的与众不同,在于他从山石的曲折与水墨的漫漶中呈现的境界。当下山水画创作以两种形态为主,一是过度强调写生的作用,而这种写生又流于蜻蜓点水式的采风,因而这种形态的山水画往往也就沦为水墨风景写生,而不是具有丰厚文化意蕴的中国山水画。二是过度强调笔墨的独立性与恒久性,认为笔墨是由中国文化的审美理念和水墨宣纸媒材所决定的一种文化性语言。这种形态的作品试图 Pangfei landscape painting is different, lies in his twists and turns from the rock and ink in the vicissitudes of manhood. The current landscape painting mainly in two forms, one is the overemphasis on the role of sketching, and this sketch is superficial and the style of the wind collecting, so this form of landscape painting is often reduced to ink landscape sketching, rather than rich culture Implication of Chinese landscape painting. The second is to over-emphasize the independence and permanence of pen and ink, that pen and ink is a cultural language determined by the aesthetic ideas of Chinese culture and the media of ink and paper. This form of artwork tries