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王琯珑在19 87年第四期的《上海戏剧》发表题为《繁荣京剧演出三题》的文章,他说:一、观众普遍反映目前京剧上演的剧目贫乏。我有幸经历和目睹了抗战胜利后上海京剧的鼎盛春秋。那时候,“戏码扎硬”,如按十二生肖排列,一夜演全十二出精彩骨子戏,极大地满足了观众的戏瘾。二、当时上海京剧舞台的众多名演员,大多戏路宽广,能戏甚多,几乎都有几出自己特有的拿
In an article entitled “Prosperity of Peking Opera Performances,” in the fourth issue of Shanghai Theater in 1987, Wang Tu Long said: First, audiences generally reflect the current paucity of plays in Peking Opera. I was fortunate enough to experience and witness the heyday of Shanghai Peking opera after the victory of the war. At that time, “play hard code”, such as arrangement by the zodiac, overnight show all twelve wonderful play, greatly satisfy the audience’s addiction. Second, many actors and actresses of Shanghai Peking opera stage at that time, most of the play road is broad, can play a lot, almost all have their own unique take